{"id":24417,"date":"2022-05-31T11:00:08","date_gmt":"2022-05-31T11:00:08","guid":{"rendered":"http:\/\/deak17galeria.hu\/?post_type=kiallitasok&p=24417"},"modified":"2022-07-19T13:42:43","modified_gmt":"2022-07-19T13:42:43","slug":"patterns-2","status":"publish","type":"kiallitasok","link":"https:\/\/deak17galeria.hu\/en\/exhibitions\/patterns-2\/","title":{"rendered":"PATTERNS"},"content":{"rendered":"\n

The artworks of the group exhibition use the method of embroidery in a new guise and enrich the contemporary art scene \u2013 while making us wonder about our common and private heritage as well.<\/strong><\/p>\n\n\n\n

Why do we embroider? In the beginning, people stitched over the seams of pieces of fabric and the more exposed parts of clothing prone to wear \u2013 cohesion, connection is inherently present in embroidery. The activity itself has a sustaining power. It\u2019s enough if we think about how the technique is passed on from generation to generation, how mothers and daughters decorate the trousseau together, and how certain types of patterns have become proudly worn distinguishing features of one region or another. We embroider because we want to beautify our environment, or because the repetition of stitches calms and soothes. We jealously protect our objects embroidered by folk artists or family members \u2013 they are our tangible connection to our traditions, our inherited patterns; we feel in them the ritual presence of heritage.<\/p>\n\n\n\n

Embroidery is surrounded by a rich and complex web of meaning. Progressive creators in the contemporary fine arts already took note of this in the 1960s. The emergence of the so-called textile movement dates from 1968, when the Ernst Museum hosted the Textile Wall Hangings \u201868 exhibition, the predecessor, by two years, of the Szombathely Wall and Spatial Textile Biennale series. Relatively closed from the attention of cultural policy, inspiration was drawn from the international stage (Lausanne, \u0141\u00f3d\u017a) as textile art cleared the way for the most exciting artistic experimentation of the era, and independent works of fine art, with conceptual content, distanced from traditional applied arts, were created. The artists\u2019 connection to the materials was direct and natural, and many returned to traditional handicraft techniques, too: \u00c1rp\u00e1d Buz\u00e1s to knitting, Kl\u00e1ra Cs\u00e1goly and Zsuzsa P\u00e9reli to tapestry, L\u00e1szl\u00f3 P\u00e9csi to weaving – Zsuzsa Szenes, Margit Szilvitzky, Ir\u00e9n Bal\u00e1zs and Marianne Szab\u00f3 (among others) to embroidery.
Traditional technique is a fertile ground for the contemporary fine arts today, too.<\/p>\n\n\n\n

The exhibition includes works in which embroidery, through some aspect, has added content \u2013 where the technique is rather an excuse, an opportunity for the expression of that content. These works connect loosely to each other in a broad associative space, approaching topics from various angles. The folk-like objects made contemporary of Zs\u00f3fi Pittmann and Anna Makovecz revisit, ironically, our folk-art traditions. M\u00e1ria Chilf\u2019s socially-motivated project and Judit Lilla Moln\u00e1r\u2019s transcribed objects speak of our contemporary society. Emese Bencz\u00far\u2019s unending embroidered texts and Lili Hanna L\u0151rincz\u2019s monumental vortexes of stitches direct attention to the repetitive, meditative character of embroidery \u2013 and the sacrality of the created work is conveyed by Mariann Imre\u2019s concrete embroidery. Personal traditions and family patterns that have been passed down appear in the works of Eszter Metzing that evoke childhood memories, in Eveline Kusny\u00e1r\u2019s personally motivated series of photographs and in the embroidered labyrinth of S\u00e1ra Richter. Old techniques intersect with the latest ones in the 3D pen creations of Krisztina Vigh, in the analogue photographs and images of M\u00e1rton Emil T\u00f3th, that harness light, too, and in the work of Zsanett Szirmay, which combines genres and makes embroidery patterns audible as music. The image of embroidery as a solitary activity is questioned by Eszter \u00c1gnes Szab\u00f3\u2019s communal embroidery project on which every visitor to the exhibition may leave their own mark. All the artworks add something to what we consider tradition. The aim of the exhibition is to make us reconsider our common or private patterns \u2013 while give a glimpse of a specially interesting layer of contemporary art.<\/p>\n\n\n\n

Zs\u00f3fia KISS-V\u00c1NYA curator<\/em><\/p>\n\n\n\n

Exhibiting artists: <\/strong> BENCZ\u00daR Emese, CHILF M\u00e1ria, IMRE Mariann, KUSNY\u00c1R Eveline, L\u0150RINCZ Lili Hanna, MAKOVECZ Anna, METZING Eszter, MOLN\u00c1R Judit Lilla, PITTMANN Zs\u00f3fi, RICHTER S\u00e1ra, SZAB\u00d3 Eszter \u00c1gnes, SZIRMAY Zsanett, T\u00d3TH M\u00e1rton Emil, VIGH Krisztina<\/p>\n\n\n\n

Curator:<\/strong> V\u00c1NYA Zs\u00f3fia art historian<\/p>\n\n\n\n

Opening:<\/strong> 2022. j\u00fanius 22. 17:00<\/p>\n\n\n\n

Opening speech by: <\/strong>FRAZON Zs\u00f3fia enthnographer<\/p>\n\n\n\n

On view: <\/strong>2022. 06. 23. \u2013 09. 03.<\/p>\n","protected":false},"excerpt":{"rendered":"

The artworks of the group exhibition use the method of embroidery in a new guise and enrich the contemporary art scene \u2013 while making us wonder about our common and private heritage as well. Why do we embroider? In the…<\/p>\nRead more \"PATTERNS\"<\/span><\/a>","protected":false},"featured_media":24408,"template":"","meta":{"_acf_changed":false},"categories":[],"tags":[],"cimke":[],"class_list":["post-24417","kiallitasok","type-kiallitasok","status-publish","has-post-thumbnail","hentry"],"acf":[],"yoast_head":"\nPATTERNS – De\u00e1k17 Gal\u00e9ria<\/title>\n<meta name=\"description\" content=\"The artworks use embroidery in a new guise and enrich the contemporary art scene, making us wonder about our common and private heritage.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/deak17galeria.hu\/exhibitions\/mintazatok\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"PATTERNS – De\u00e1k17 Gal\u00e9ria\" \/>\n<meta property=\"og:description\" content=\"The artworks use embroidery 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